Sant Genís – L’Ametlla del Vallès

BRIEF HISTORY

The Romanic temple was constructed in 932. During the 12th c. the original temple was remodeled and expanded. From the Romanic temple only rest an original wall in the South facade.

In 1679, it started the new construction of the church on top of the old temple. It was at this time when the bell tower was constructed on the right side of the main facade. In 1692 the high of the tower bell was increased.

After the Spanish Civil War, it was carried out an exterior remodeling trying to reproduce the church from 1691.

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ARCHITECTURAL FEATURES AND GEOMETRY

 

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DAMAGES AND DIAGNOSIS

In general, the church is in a good state of conservation and it doesn’t have any stability problems.

Probably, the lateral cracks in the nave are due to incompatibility problems.

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SANT FRANCESC DE SALES

BRIEF HISTORY

The parish of Sant Miquel de Sales was placed in the new free spaces habilitated after the 19th c. grid expansion of the city carried out by Ildefons Cerdá. The church is considered one of the finest Neo-Gothic structures in the city and it was designed by Joan Martorell I Montells, one of Gaudi’s teacher.

In 1874 the land was purchased on Passeig de Sant Joan and the construction began. The nuns were able to move into the monastery by 1878, but the church was not completed until 1885.

During the Tragic Week in 1909 and again during the Spanish Civil War in 1936 the nuns were forced to abandon the monastery and the church was sacked. In 1942 a new community took over the former convent and during that year there were undergoing some alterations in the building, but the most important was the demolition of the six small chapels and so, the church was turned into a structure of three naves.

In the sixties the monastery was turned into a public school. The church received just some minor changes on the outside during this period.

In the eighties the church went up on fire once more. Damage on the structural system was not visible. This time the main damage were the blacked walls and arcades. Because of that, the church got renovated in 1991.

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ARCHITECTURAL FEATURES AND GEOMETRY

The church is built in the Gothic Revival or also called Neo-Gothic style. Originally it was designed with one big nave and an additional 3 chapels on each side. The chapels were taken down in 1942 and nowadays the church has three naves which appear to one big nave. This makes the church to appear way more spacious. The inside is very typical for a Neo-Gothic church: arches, brick walls, wall paintings and religious statues characterize the interior. 

On the outside there are three different materials visible: stone, brick work and pottery. The main tower of the church is placed above the entrance hall, surrounded with two smaller towers on its left and right side. The used materials of the church differ a lot compared to the surrounding buildings it can be easily seen that it is by far the oldest building in this area.

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DIAGNOSIS

Summarized, we can say that the church is in a good shape, probably because there were constantly renovations happening and the last one was in the early 90´s and therefore not so long ago. Another good sign is that we can see that the church is taken care of because there are ongoing observations.

Most of the problems occur in the part of the church, where originally the six private chapels were located. Because of that, our first thought was that the causes behind those different problems could be the same. The cracks on the floor and on the arches are likely caused by soil settlement. Other problems like the moisture problem can have several causes like leaks in the roof or seasonal peaks of humidity in the church.

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REFERENCES

[1] http://www.arquebisbatbarcelona.cat/node/392?lang=es&

[2] https://catholicbarcelona.com/2014/03/01/sant-francesc-de-sales/

[3] https://es.wikipedia.org/wiki/Iglesia_y_convento_de_las_Salesas_(Barcelona)

Santa Madrona

BRIEF HISTORY

The church Santa Madrona, situated in the neighborhood Poble Sec, Barcelona, was inaugurated on 24 May in 1888. It was designed by the architect Adriano Casademunt and constructed by master builder D. Francisco Riera. Due to the rapid development of that part of Eixample, the church was open before the bell tower was completed.

The main events that affected this construction were: the fire in July 1909 during the tragic week, which caused some damage to the main facade and the interior of the church. In 1923, the bell tower was constructed much taller than originally designed. Although, during the Spanish Civil War in 1936, the highest part of the bell tower was taken off to avoid being an easy target to bombers.

During this period, the church was again lit on fire. The benches and other furniture in the church were burnt and this caused formation of huge cracks in vaults, arches and the walls. During the occupation, the church was used as garage. An anti-raid bunker was constructed under the central nave. The entrance of this bunker was located in front of the main facade, while the exit was at the door of the apse. The construction of the bunker seriously damaged the foundations of the church and caused infiltration of water in the buildings located in the surrounding area. Consequently, in 1939-1940, an intervention to strengthen the foundations and to fill the bunker was performed.

In 1988 a new parish building was constructed and finally in 2014 the church was provided with new furniture and some superficial interventions were carried out.

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ARCHITECTURAL FEATURES AND GEOMETRY

The church has an eclectic style as it is a blend of Romanesque-Gothic style with Byzantine details. The floor-plan has a cross shape and the apse is oriented towards the West. The main facade presents pointed-arch doors and a 50 m tower. The church consists of a central nave of 11.6 m width, with a height of 18.5 m to the arches and 20 m in proximity to the dome. On each side of the central nave there are lateral naves, each one has four chapels with pointed arches. In the central nave there are pointed-arch windows which are closed by stained glass. The transept is crowned by an oval dome that reaches 32 m of height. The presbytery is risen several steps above the level of the temple. Six free columns and two embedded ones surround the presbytery, leading to seven symbolic compartments. All the columns of the temple are topped by stone capitals. The sacristy is located to the right of the apse, and the rectory is in a building annex to the church on the right side of the main facade of temple.

The building is supported by the outer walls and the inner pillars together with arches and vaults. The pillars are made of brick covered with plaster. The arches are made of bricks in rowlock position; the vaults are made of bricks in flat position. The lateral walls are made of plaster covered brick on the inner face and of stone with rows of bricks in the exterior. The main facade is made of Montjuïc sandstone blocks. How exactly the foundations were made is unknown.

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DIAGNOSIS

Most of the repointed cracks are not reopened and the cracks other than the repointed ones are generally not of large width. The church could be said not to be in imminent danger where an urgent investigation is needed.

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REFERENCES

[1] R. Irigoyen, S. B. Fuster, C. P. Fuster y J. P. Femenias, «Estudi de l'edifici de la parròquia de Santa Matrona - Poble Sec».

[2] Brea, B. (sd). La Iglesia de Santa Madrona y la ebullición social de principios del XX. Accessed on January 25, 2017, from L'altaveu del Poble Sec: http://altaveu.barripoblesec.org/